when I into number nine

of the or the less entire typewriter mimic disaster opening chapter the writing machine like those of a do it yourself fear of restrooms is to life head slightly he is in the past the senses was the tear vile the senses perception as in his powers swinging back society to close safe with satan glued into your “I dare you” “I know you joint efforts prey originally ground almost of brainstorming in his powers europe and north america we may we may we may defining Dada as it’s resistance to definition new dimension gambling scenes but it is new dimension gambling scenes unconsciously cut up forcesone light my fire unconsciously one just smart sickly thin to mend the cut resting waiting once thus brining his work the dads allowed for opening chapter constant internal observations and head slightly waiting provided and their intersection new forms the particles relationships in 1913 to sound despite that led slight and then he would turn his the daughter the dads allowed for in dreams I talk with you sexually in your dreams last physical level the into constant internal with all the tentacles particles the daughter tentaclesmovement is itself kinesthetic got my into number nine typewriter mimic the painters technique is the cut opening chapter unconsciously organisms from every level inhere it business of life sexuality and organism of the every level computer does or less the entire the nature of words has discussed cut ups forces “I dare you” “I know you clarifies the formal fade out debate as to the exact backwards on my idea of regression he return hisprey almost in your dreams last into me joint efforts and then new dimension despite Vanessa, But there is a…


with Carl Abrahamsson



originally published @ ERIS MAGAZINE  June 22, 2016