AVAILABLE FROM TRAPART / American customers order from JD Holmes.
THE FENRIS WOLF 9: This volume contains material from the conference Psychoanalysis, Art & the Occult (London, 2016). Trapart Books 2017, 248 pages, 148 x 210 mm, perfect bound. Contents:
– Vanessa Sinclair & Carl Abrahamsson Editors’ Introduction: Looking back at the crossroads
– Katelan Foisy Invocation: Homage to the spirits of the land/London
– Sharron Kraus Art as Alchemy
– Demetrius Lacroix The Seven Layers of the Vodou Soul
– Graham Duff Sublime Fragments: The Art of John Balance
– Ken Henson The American Occult Revival In My Work
– Gary Lachman Was Freud Afraid of the Occult?
– Peter Grey Fly the Light
– Val Denham Proclaim Present Time Over
– Katelan Foisy & Vanessa Sinclair The Cut In Creation
– Claire-Madeline Culkin Beds, Bodies and Other Books of Common Prayer – A Reading of the Photography of Nan Goldin
– Steven Reisner On the Dance of the Occult and Unconscious in Freud
– Katy Bohinc The 12th House: Art and the Unconscious
– Olga Cox Cameron When Shall We 3 Meet Again? Psychoanalysis, Art and the Occult: A Clandestine Convergence
– Ingo Lambrecht Wairua: Following shamanic contours in psychoanalytic therapy at a Māori Mental Health Service in New Zealand
– Elliot Edge An Occult Reading of PAO! Imagining in the Dark with Our Vestigial Shamanism in a Shade, Shadow, Wide
– Charlotte Rodgers Stripped to the Core: Animistic Art Action and Magickal Revelation
– Alkistis Dimech Dynamics of the Occulted Body
– Fred Yee Cut-Up As Egregore, Oracle and Flirtation Device
– Robert Ansell Androgyny, Biology and Latent Memory in the Work of Austin Osman Spare
– Ray O Neill Double, Double, Toil and Trouble: Psychoanalysis Burn and Surrealism Bubble
– Derek M Elmore Dreams and the Neither-Neither
– Julio Mendes Rodrigo Rebis, the Double Being
– Eve Watson Bowie’s Non-Human Effect: Alien/Alienation in The Man Who Fell to Earth (1976) and The Hunger (1983)
– Carl Abrahamsson Formulating the Desired: Some similarities between ritual magic and the psychoanalytic process
– Front cover painting by Val Denham
– Back cover painting by Ken Henson